HALKWEBAuthorsRemorse or the panic of being caught?

Remorse or the panic of being caught?

Because in the eyes of the public, remorse; Not when you are caught, but when you are wronged.

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Like those lines of Yusuf Hayaloğlu...
“Now I have taught my eyes to weep so that these tears will be the necklace of your shy neck...”

This is exactly what is echoing in the corridors of politics today:
Remorse or the panic of being caught?
Silence is no longer the only silence on the walls of Silivri.
There is an echo of backstairs, hotel rooms, message traffic and dirty dealings.
“After what has been told under the name of ”effective remorse", one inevitably asks the following question:
What is the real regret?
Never to give money to Özgür Özel again?
Not to be nominated again?
Or is it the price of being in the news with images of towels in hotel rooms?

Because there is a panic of being exposed rather than a conscientious confrontation.
It is not forgotten that those who are “effectively remorseful” today sat at the same tables and took part in the same organizations until yesterday.

The irony is this:
Each new allegation raises even more questions in the minds of the public.
Messages that are rumored to have been sent especially to mayors...
Were those messages also “motivational”?
Or was it another form of repression, manipulation and political engineering?

We still remember his defense of Kadir Inanir when his midnight texts were on the agenda:
“I did it to motivate my co-star.”

A similar picture is now being discussed in politics.
So everyone in Turkey is sending “motivational messages” to each other...
Some for art, some for seats, some for the congress.

But the public is now looking for the answer to this question:
Is there really a political struggle behind these messages, these relations and this rush, or is it a power struggle?

Because regret in the eyes of the public;
It is meaningful not when you are caught, but when you feel wronged.

And what echoes most in the walls of Silivri today;
“Don't go... The sound of your absence is on the walls...”

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