T\u00fcrkiye\u2019de baz\u0131 insanlar sadece bir ki\u015fi de\u011fildir.
\nBir d\u00f6nemin aynas\u0131d\u0131r.<\/p>\n
Rasim Ozan K\u00fctahyal\u0131 tam olarak b\u00f6yle bir fig\u00fcrd\u00fcr.<\/p>\n
\u00c7\u00fcnk\u00fc ROK dedi\u011fimiz karakter yaln\u0131zca televizyonlarda ba\u011f\u0131ran bir yorumcu de\u011fildir.
\nO; T\u00fcrkiye\u2019de medyan\u0131n nas\u0131l \u00e7\u00fcr\u00fcd\u00fc\u011f\u00fcn\u00fcn, siyasetin nas\u0131l magazinle\u015fti\u011finin ve ekranlar\u0131n nas\u0131l bir propaganda arenas\u0131na d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fcn canl\u0131 \u00f6rne\u011fidir.<\/p>\n
Normal \u015fartlarda fikir \u00fcretmesi gereken ekranlar, zamanla karakter performanslar\u0131n\u0131n sahnesine d\u00f6n\u00fc\u015ft\u00fc.
\nBilgi yerine ba\u011f\u0131ranlar, analiz yerine \u015fov yapanlar \u00f6ne \u00e7\u0131kar\u0131ld\u0131.<\/p>\n
Ve Rasim Ozan K\u00fctahyal\u0131 bu sistemin en g\u00f6r\u00fcn\u00fcr \u00fcr\u00fcnlerinden biri oldu.<\/p>\n
Bir d\u00f6nem liberallerle y\u00fcr\u00fcd\u00fc.
\nSonra iktidar medyas\u0131n\u0131n y\u0131ld\u0131z yorumcusuna d\u00f6n\u00fc\u015ft\u00fc.
\nBir d\u00f6nem FET\u00d6 \u00e7izgisine yak\u0131n pozisyon ald\u0131 denildi.
\nSonra en sert FET\u00d6 kar\u015f\u0131tlar\u0131ndan biri oldu.
\nBir d\u00f6nem \u00e7\u00f6z\u00fcm s\u00fcrecinin hararetli savunucusuydu.
\nSonra milliyet\u00e7i s\u00f6ylemlerin en agresif savunucular\u0131ndan biri h\u00e2line geldi.<\/p>\n
Yani ortada omurgal\u0131 bir fikir \u00e7izgisi de\u011fil, s\u00fcrekli de\u011fi\u015fen bir siyasi adaptasyon vard\u0131.<\/p>\n
\u0130\u015fte mesele tam burada ba\u015fl\u0131yor.<\/p>\n
\u00c7\u00fcnk\u00fc T\u00fcrkiye\u2019de medya art\u0131k hakikati arayan insanlar\u0131n alan\u0131 olmaktan \u00e7\u0131kt\u0131.
\nG\u00fcce g\u00f6re pozisyon alan fig\u00fcrlerin arenas\u0131na d\u00f6n\u00fc\u015ft\u00fc.<\/p>\n
ROK\u2019un y\u0131llarca ekranlarda tutulmas\u0131n\u0131n nedeni entelekt\u00fcel derinli\u011fi de\u011fildi.
\nTam tersine\u2026<\/p>\n
Kaos \u00fcretme kapasitesiydi.<\/p>\n
Ba\u011f\u0131rmas\u0131, provoke etmesi, hakaret dili \u00fcretmesi, tansiyon y\u00fckseltmesi bu medya d\u00fczeninde \u201creyting malzemesi\u201d h\u00e2line getirildi.<\/p>\n
Ve zamanla T\u00fcrkiye\u2019de \u00e7ok tehlikeli bir \u015fey oldu:<\/p>\n
Ekranlarda bilgi sahibi insanlar de\u011fil, dikkat \u00e7eken insanlar \u00f6ne \u00e7\u0131kar\u0131ld\u0131.<\/p>\n
ROK i\u015fte bu \u00e7a\u011f\u0131n \u00fcr\u00fcn\u00fcd\u00fcr.<\/p>\n
Bir televizyon karakteri\u2026<\/p>\n
Siyaseti analiz eden de\u011fil, siyaseti magazinle\u015ftiren bir fig\u00fcr\u2026<\/p>\n
Bug\u00fcn d\u00f6n\u00fcp bak\u0131nca insan \u015fu soruyu soruyor:<\/p>\n
T\u00fcrkiye ger\u00e7ekten bu kadar m\u0131 fikirsizle\u015fti ki, y\u0131llarca en g\u00f6r\u00fcn\u00fcr yorumculardan biri Rasim Ozan K\u00fctahyal\u0131 oldu?<\/p>\n
\u00c7\u00fcnk\u00fc mesele art\u0131k sadece bir ki\u015fi meselesi de\u011fil.<\/p>\n
ROK fig\u00fcr\u00fc asl\u0131nda T\u00fcrkiye\u2019de sistemin neyi \u00f6d\u00fcllendirdi\u011fini g\u00f6steriyor.<\/p>\n
Tutarl\u0131l\u0131\u011f\u0131 de\u011fil\u2026
\nBa\u011fl\u0131l\u0131\u011f\u0131 de\u011fil\u2026
\n\u0130lkeyi de\u011fil\u2026<\/p>\n
G\u00fcr\u00fclt\u00fcy\u00fc \u00f6d\u00fcllendiriyor.<\/p>\n
Bir g\u00fcn bir siyasi \u00e7izginin en ate\u015fli savunucusu olup, ertesi g\u00fcn tam tersine ge\u00e7ebilmek; normal \u015fartlarda g\u00fcvenilirli\u011fi bitirir.<\/p>\n
Ama T\u00fcrkiye\u2019de tam tersine ekran s\u00fcresini art\u0131rd\u0131.<\/p>\n
\u00c7\u00fcnk\u00fc bu d\u00fczen fikir insan\u0131 de\u011fil, kriz karakteri seviyor.<\/p>\n
ROK tam da bu y\u00fczden bir \u201cibret vesikas\u0131d\u0131r.\u201d<\/p>\n
Sadece kendisi i\u00e7in de\u011fil\u2026<\/p>\n
Onu y\u0131llarca ekran ekran dola\u015ft\u0131ran medya d\u00fczeni i\u00e7in de\u2026<\/p>\n
Onu \u201ckanaat \u00f6nderi\u201d gibi pazarlayan sistem i\u00e7in de\u2026<\/p>\n
Ve belki en ac\u0131s\u0131:<\/p>\n
Toplumun bir b\u00f6l\u00fcm\u00fcn\u00fcn bu dili normalle\u015ftirmesi i\u00e7in de\u2026<\/p>\n
Bug\u00fcn T\u00fcrkiye\u2019de insanlar birbirini dinlemiyor.
\nBirbirine ba\u011f\u0131r\u0131yor.<\/p>\n
Tart\u0131\u015fma k\u00fclt\u00fcr\u00fc yok oldu.
\nYerine performans siyaseti geldi.<\/p>\n
\u0130\u015fte ROK tam da bu \u00e7\u00fcr\u00fcmenin sembol\u00fcd\u00fcr.<\/p>\n
ROK SADECE B\u0130R K\u0130\u015e\u0130 DE\u011e\u0130L, B\u0130R D\u00d6NEM\u0130N SEMBOL\u00dc<\/strong><\/p>\n Rasim Ozan K\u00fctahyal\u0131\u2019y\u0131 sadece \u201crenkli televizyon karakteri\u201d gibi g\u00f6rmek b\u00fcy\u00fck hata olur.<\/p>\n \u00c7\u00fcnk\u00fc ROK dedi\u011fimiz fig\u00fcr asl\u0131nda T\u00fcrkiye\u2019de medyan\u0131n nas\u0131l d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fcn canl\u0131 \u00f6zeti.<\/p>\n Bir \u00fclkenin ekranlar\u0131nda kimler y\u00fckseliyorsa, o \u00fclkenin zihinsel iklimi de odur.<\/p>\n Ve T\u00fcrkiye uzun y\u0131llard\u0131r ba\u011f\u0131ran\u0131 d\u00fc\u015f\u00fcnenin \u00f6n\u00fcne koyan bir medya d\u00fczeniyle ya\u015f\u0131yor.<\/p>\n ROK\u2019un y\u00fckseli\u015fi tesad\u00fcf de\u011fildi.<\/p>\n \u00c7\u00fcnk\u00fc bu sistem; sakin konu\u015fan\u0131 de\u011fil, kriz \u00e7\u0131karan\u0131 \u00f6d\u00fcllendirdi.<\/p>\n Bilgi de\u011fil sansasyon\u2026 \u0130\u015fte T\u00fcrkiye\u2019de medya tam olarak b\u00f6yle \u00e7\u00fcr\u00fcd\u00fc.<\/p>\n Rasim Ozan K\u00fctahyal\u0131\u2019n\u0131n kariyerine bakt\u0131\u011f\u0131n\u0131zda sabit bir fikir \u00e7izgisi g\u00f6remezsiniz. G\u00fcc\u00fcn y\u00f6n\u00fcn\u00fc sezme refleksi\u2026<\/p>\n Bir d\u00f6nem liberal \u00e7evrelerin i\u00e7indeydi. Ama ne olursa olsun ekranlarda kalmay\u0131 ba\u015fard\u0131.<\/p>\n \u0130\u015fte mesele tam burada.<\/p>\n \u00c7\u00fcnk\u00fc T\u00fcrkiye\u2019de art\u0131k tutarl\u0131l\u0131k de\u011fil g\u00f6r\u00fcn\u00fcrl\u00fck \u00f6d\u00fcllendiriliyor.<\/p>\n Bug\u00fcn bir akademisyen y\u0131llarca \u00e7al\u0131\u015f\u0131p toplumda bu kadar g\u00f6r\u00fcn\u00fcr olamazken; bir televizyon polemik\u00e7isi her ak\u015fam milyonlar\u0131n \u00f6n\u00fcne \u00e7\u0131kabiliyor.<\/p>\n Bu yaln\u0131zca medya tercihi de\u011fil, k\u00fclt\u00fcrel \u00e7\u00f6k\u00fc\u015ft\u00fcr.<\/p>\n \u00c7\u00fcnk\u00fc ekranlar zamanla bilgi \u00fcreten insanlar\u0131n de\u011fil, reaksiyon \u00fcreten insanlar\u0131n alan\u0131na d\u00f6n\u00fc\u015ft\u00fc.<\/p>\n ROK\u2019un dili de bu y\u00fczden \u00f6nemli.<\/p>\n Hakaret\u2026 B\u00fct\u00fcn bunlar zamanla \u201cnormal tart\u0131\u015fma dili\u201d gibi sunuldu.<\/p>\n Ve toplum fark\u0131nda olmadan \u015funu kaybetti:<\/p>\n D\u00fc\u015f\u00fcnme k\u00fclt\u00fcr\u00fcn\u00fc\u2026<\/p>\n \u00c7\u00fcnk\u00fc s\u00fcrekli ba\u011f\u0131r\u0131lan yerde d\u00fc\u015f\u00fcnce geli\u015fmez. ROK fig\u00fcr\u00fc bu y\u00fczden bir medya karakterinden fazlas\u0131d\u0131r.<\/p>\n O; T\u00fcrkiye\u2019de siyasetin futbol trib\u00fcn\u00fc diline d\u00f6n\u00fc\u015fmesinin sembollerinden biridir.<\/p>\n Bug\u00fcn insanlar art\u0131k analiz dinlemiyor. Ve medya da bunu besliyor.<\/p>\n \u00c7\u00fcnk\u00fc \u00f6fke reyting getiriyor. ROK y\u0131llarca tam da bu y\u00fczden ekranlarda tutuldu.<\/p>\n Bir fikir adam\u0131 oldu\u011fu i\u00e7in de\u011fil\u2026 Ve belki de en ac\u0131 taraf \u015fu:<\/p>\n T\u00fcrkiye\u2019de bir\u00e7ok gen\u00e7 insan siyasal tart\u0131\u015fmay\u0131 bu \u00fcslupla \u00f6\u011frendi.<\/p>\n Ba\u011f\u0131rarak\u2026 Bu y\u00fczden mesele yaln\u0131zca Rasim Ozan K\u00fctahyal\u0131 meselesi de\u011fil.<\/p>\n Onu \u00fcreten medya d\u00fczeni meselesi\u2026<\/p>\n Onu parlatan televizyon sistemi meselesi\u2026<\/p>\n Ve her siyasi d\u00f6nemde yeni pozisyon almas\u0131n\u0131 do\u011fal kar\u015f\u0131layan \u00e7\u00fcr\u00fcm\u00fc\u015f siyasal k\u00fclt\u00fcr meselesi\u2026<\/p>\n \u0130\u015fte bu y\u00fczden ROK bir ki\u015fiden \u00e7ok daha fazlas\u0131d\u0131r.<\/p>\n Bir d\u00f6nemin ibret vesikas\u0131d\u0131r.<\/p>\n T\u00dcRK\u0130YE\u2019N\u0130N EKRAN \u00c7A\u011eI: F\u0130K\u0130R \u00d6LD\u00dc, PERFORMANS KAZANDI<\/strong><\/p>\n Rasim Ozan K\u00fctahyal\u0131\u2019y\u0131 anlamak i\u00e7in sadece ne s\u00f6yledi\u011fine bakmak yetmez. \u00c7\u00fcnk\u00fc hi\u00e7bir medya fig\u00fcr\u00fc tek ba\u015f\u0131na y\u00fckselmez. ROK\u2019un y\u00fckseli\u015fi de T\u00fcrkiye\u2019de medyan\u0131n nas\u0131l bir \u015feye d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fcn a\u00e7\u0131k g\u00f6stergesidir.<\/p>\n Eskiden televizyon ekranlar\u0131na \u00e7\u0131kan insanlardan bilgi beklenirdi. Kim daha sert ba\u011f\u0131r\u0131yor? Yeni medya d\u00fczeninin kriteri bu oldu.<\/p>\n Ve Rasim Ozan K\u00fctahyal\u0131 tam bu \u00e7a\u011f\u0131n karakteri h\u00e2line geldi.<\/p>\n Bir d\u00f6nem bir siyasi \u00e7izginin en ate\u015fli savunucusu\u2026 Ama de\u011fi\u015fmeyen tek \u015fey vard\u0131:<\/p>\n Her d\u00f6nemde g\u00f6r\u00fcn\u00fcr kalmas\u0131.<\/p>\n \u0130\u015fte bu y\u00fczden mesele art\u0131k yaln\u0131zca Rasim Ozan K\u00fctahyal\u0131 meselesi de\u011fildir.<\/p>\n T\u00fcrkiye\u2019de ilkesizli\u011fin nas\u0131l normalle\u015fti\u011finin meselesidir.<\/p>\n \u00c7\u00fcnk\u00fc normal bir demokratik k\u00fclt\u00fcrde insanlar \u015funu sorar:<\/p>\n \u201cD\u00fcn savundu\u011funun tam tersini bug\u00fcn nas\u0131l savunabiliyorsun?\u201d<\/p>\n Ama T\u00fcrkiye\u2019de bu soru art\u0131k sorulmuyor.<\/p>\n \u00c7\u00fcnk\u00fc toplumun \u00f6nemli bir k\u0131sm\u0131 fikir tutarl\u0131l\u0131\u011f\u0131na de\u011fil, kendi \u00f6fkesini temsil eden karakterlere ba\u011flan\u0131yor.<\/p>\n \u0130\u015fte en b\u00fcy\u00fck \u00e7\u00fcr\u00fcme burada ba\u015flad\u0131.<\/p>\n ROK\u2019un y\u0131llarca ekranlarda tutulmas\u0131n\u0131n nedeni bilgi de\u011fildi. \u00c7\u00fcnk\u00fc televizyonlar art\u0131k hakikati aram\u0131yor. Ve dikkat \u00e7a\u011f\u0131nda en \u00e7ok ba\u011f\u0131ran kazan\u0131yor.<\/p>\n Bug\u00fcn T\u00fcrkiye\u2019de milyonlarca insan\u0131n siyaset alg\u0131s\u0131, ba\u011f\u0131ran televizyon yorumcular\u0131 \u00fczerinden \u015fekilleniyor.<\/p>\n Bu y\u00fczden toplum art\u0131k d\u00fc\u015f\u00fcnm\u00fcyor; reaksiyon veriyor.<\/p>\n Bir taraf \u00f6fkeleniyor. Ama kimse ger\u00e7ekten konu\u015fmuyor.<\/p>\n ROK fig\u00fcr\u00fc i\u015fte bu k\u00fclt\u00fcrel \u00e7\u00f6k\u00fc\u015f\u00fcn en g\u00f6r\u00fcn\u00fcr \u00f6rneklerinden biridir.<\/p>\n Bir \u00fclkenin ekranlar\u0131nda en \u00e7ok konu\u015fulan insanlar s\u00fcrekli polemik \u00fcreten fig\u00fcrlerse, orada d\u00fc\u015f\u00fcnce hayat\u0131 zay\u0131flam\u0131\u015f demektir.<\/p>\n Ve belki de en trajik taraf \u015fu:<\/p>\n T\u00fcrkiye\u2019de ciddi akademisyenler, d\u00fc\u015f\u00fcn\u00fcrler, ara\u015ft\u0131rmac\u0131lar y\u0131llarca g\u00f6r\u00fcnmez kal\u0131rken; televizyon polemik\u00e7ileri \u201ckanaat \u00f6nderi\u201d gibi sunuldu.<\/p>\n \u0130\u015fte bu y\u00fczden ROK bir ki\u015fiden ibaret de\u011fildir.<\/p>\n O; T\u00fcrkiye\u2019nin medya trajedisinin sembollerinden biridir.<\/p>\n Bir d\u00f6nemin zihinsel \u00e7\u00f6k\u00fc\u015f\u00fcn\u00fcn sembol\u00fc\u2026<\/p>\n \u0130lkenin de\u011fil pozisyonun, Ve bug\u00fcn d\u00f6n\u00fcp bak\u0131nca insan \u015funu g\u00f6r\u00fcyor:<\/p>\n Rasim Ozan K\u00fctahyal\u0131 asl\u0131nda bir sonu\u00e7tu.<\/p>\n As\u0131l mesele onu m\u00fcmk\u00fcn k\u0131lan medya d\u00fczeniydi.<\/p>\n \u00c7\u00fcnk\u00fc bu \u00fclke ekranlar\u0131nda d\u00fc\u015f\u00fcnceyi de\u011fil g\u00fcr\u00fclt\u00fcy\u00fc \u00f6d\u00fcllendirdi.<\/p>\n Ve sonunda ortaya; herkesin konu\u015ftu\u011fu ama kimsenin ger\u00e7ekten g\u00fcvenmedi\u011fi bir medya iklimi \u00e7\u0131kt\u0131.<\/p>\n \u0130\u015fte bu y\u00fczden ROK sadece bir televizyon yorumcusu de\u011fil\u2026<\/p>\n T\u00fcrkiye\u2019nin medya tarihine d\u00fc\u015f\u00fclm\u00fc\u015f b\u00fcy\u00fck bir \u201cibret vesikas\u0131d\u0131r.\u201d<\/p>","protected":false},"excerpt":{"rendered":" Turkish Media's Decay Story <\/p>","protected":false},"author":14,"featured_media":286054,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[286],"tags":[289],"class_list":{"0":"post-286053","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-yazarlar","8":"tag-manset"},"_links":{"self":[{"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/posts\/286053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/comments?post=286053"}],"version-history":[{"count":1,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/posts\/286053\/revisions"}],"predecessor-version":[{"id":286055,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/posts\/286053\/revisions\/286055"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/media\/286054"}],"wp:attachment":[{"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/media?parent=286053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/categories?post=286053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/tags?post=286053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nAnaliz de\u011fil provokasyon\u2026
\n\u0130lke de\u011fil pozisyon de\u011fi\u015fikli\u011fi\u2026<\/p>\n
\nAma \u00e7ok net bir refleks g\u00f6r\u00fcrs\u00fcn\u00fcz:<\/p>\n
\nBir d\u00f6nem \u00e7\u00f6z\u00fcm s\u00fcrecinin en hararetli savunucular\u0131ndand\u0131.
\nBir d\u00f6nem farkl\u0131 siyasi odaklarla yak\u0131n pozisyon ald\u0131.
\nSonra tamamen ba\u015fka bir \u00e7izgiye ge\u00e7ti.<\/p>\n
\nA\u015fa\u011f\u0131lama\u2026
\nK\u0131\u015fk\u0131rtma\u2026
\nA\u015f\u0131r\u0131 duygusal \u00e7\u0131k\u0131\u015flar\u2026<\/p>\n
\nOrada sadece taraftarl\u0131k b\u00fcy\u00fcr.<\/p>\n
\nKendi \u00f6fkesini temsil eden karakter ar\u0131yor.<\/p>\n
\nKavga reyting getiriyor.
\nKaos reyting getiriyor.<\/p>\n
\nBir \u201cetki karakteri\u201d oldu\u011fu i\u00e7in\u2026<\/p>\n
\nHakaret ederek\u2026
\nA\u015fa\u011f\u0131layarak\u2026<\/p>\n
\nNeden bu kadar b\u00fcy\u00fct\u00fcld\u00fc\u011f\u00fcne bakmak gerekir.<\/p>\n
\nOnu y\u00fckselten bir sistem vard\u0131r.<\/p>\n
\nBug\u00fcn ise reaksiyon bekleniyor.<\/p>\n
\nKim daha fazla kriz \u00e7\u0131kar\u0131yor?
\nKim sosyal medyada daha \u00e7ok kavga \u00fcretiyor?<\/p>\n
\nSonra ba\u015fka bir \u00e7izginin yorumcusu\u2026
\nSonra ba\u015fka bir pozisyonun propagandisti\u2026<\/p>\n
\nKriz \u00fcretme kapasitesiydi.<\/p>\n
\nDikkati sat\u0131n almaya \u00e7al\u0131\u015f\u0131yor.<\/p>\n
\nDi\u011fer taraf kar\u015f\u0131 \u00f6fke \u00fcretiyor.<\/p>\n
\nd\u00fc\u015f\u00fcncenin de\u011fil \u015fovun,
\nahlak\u0131n de\u011fil reytingin \u00f6ne \u00e7\u0131kt\u0131\u011f\u0131 d\u00fczenin sembol\u00fc\u2026<\/p>\n