Names are not innocent.
\nNames are not neutral.
\nNames are not just sounds.
\nNames are weapons.
\nIn this country, naming is not defining.
\nIn this country, naming names is targeting.
\n\u201cBlack Fatma.\u201d<\/p>\n
This is not the name of an insect.
\nIt's a stamp.
\nThis is a preliminary decision.
\nIt's a declaration of crushability.
\nExecution begins at the very first word.
\nThere is no need for a second word.
\n\u201cKara.\u201d<\/p>\n
It means being black in this country:
\nIt means to be guilty.
\nIt means to be suspicious.
\nIt means unacceptable.
\nIt means not being protected.
\nIt means being free to be crushed.
\nYou may not have done anything yet.
\nYou may not yet have spoken, walked or been seen.
\nBut if you're black, it's decided.
\nThis is not a matter of law.
\nThis is a fascism of aesthetics.
\nIn this country, crime does not start with action.
\nCrime starts with the body.
\nIt starts with color.
\nIt starts with the tone of voice.
\nIt starts with clothing.
\nIt starts with smell.
\nIt starts with the neighborhood.<\/p>\n
Black Fatma and the ladybug are of the same nature.
\nBut not from the same community.
\nOne is \u201cgood luck\u201d.
\nThe other is the \u201ccleanliness problem\u201d.
\nThis difference is not biological.
\nThis difference is not natural.
\nThis difference is a political decision.
\nLadybugs are loved because they are beautiful.
\nIt is beautiful because it is acceptable.
\nIt is acceptable because it is safe.
\nIt is non-dangerous because it is made to look classless.
\nBut Kara Fatma is not classless.
\nTomboy is a lower class.
\nKara Fatma is a back alley.
\nBlack Fatma is the basement.
\nBlack Fatma is uninsured.
\nKara Fatma is indifferent.
\nBlack Fatma is \u201cunpredictable\u201d.
\nAnd in this country, the \u201cunpredictable\u201d
\ncrushed.<\/p>\n
Ladybug is a fairy tale.
\nTomboy is real.
\nFairy tales are loved.
\nThe truth is crushed.
\nSo when the ladybug lands on the windowsill:
\nPhotographs are taken.
\nThe story is written.
\nIt is shown to children.
\nWhen Black Fatma appeared:
\nThe slipper gets up.<\/p>\n
Slippers are not an innocent household item.
\nSlippers are the most common means of execution in this country.
\nSlippers
\nIt is extrajudicial.
\nIt is vulnerable.
\nIt is without evidence.
\nIt is quiet.
\nApproved.
\nShameless slipper thrower.
\nBecause the slipper thrower feels justified.
\nWhere does this justification come from?
\nAesthetics.
\nClass.
\nMajority.
\nThe slipper lands in the name of \u201cwe\u201d.
\nThe slipper lands in the name of \u201csociety\u201d.
\nThe slipper lands in the name of \u201corder\u201d.
\nSlippers are the domestic version of fascism.<\/p>\n
Fascism does not always come in uniform.
\nSometimes it comes with pleasure.
\nSometimes he comes saying \u201cgood\u201d.
\nSometimes he comes saying \u201cI am disturbed\u201d.
\nFascism in this country often talks like this:
\n\u201cVisual pollution.\u201d
\n\u201cSocial sensitivity.\u201d
\n\u201cIt bothers us.\u201d
\nWho is uncomfortable?
\nWhy is it uncomfortable?
\nWhat is uncomfortable?
\nThese are not asked.
\nBecause aesthetic judgment is not questioned.
\nAesthetic judgment is considered natural.
\nBut aesthetics is not natural.
\nAesthetics is class.
\nAesthetics is political.
\nAesthetics is a sifting mechanism.
\nThe beautiful stays inside.
\nThe ugly one is thrown out.
\nIt's as simple as that.
\nIt's that wild.<\/p>\n
The media does not say \u201ckill\u201d.
\nThe media doesn't need it.
\nThe media says:
\n\u201cIt's uncomfortable.\u201d
\n\u201cThere was a backlash.\u201d
\n\u201cSome people...\u201d
\nThese sentences are the foreword to violence.
\nThese sentences are a call for lynching.
\nBut he wears a tie.
\nBut it's clean.
\nBut it is acceptable.
\nThe media does not make Kara Fatma a criminal.
\nIt makes it suspicious.
\nThe suspect can be crushed at any moment.<\/p>\n
\u201cStrong suspicion of a crime.\u201d
\n\u201cPublic order.\u201d
\n\u201cSocial sensitivity.\u201d
\nThese are not laws.
\nThese are the official language of aesthetic discomfort.
\nLadybugs need proof.
\nFor a tomboy, visibility is enough.
\nIf you are seen, you are guilty.
\nIf you're here, you're too much.
\nIf you speak, you are a provocateur.<\/p>\n
Politics makes it clearer.
\n\u201cThese,\u201d he says.
\n\u201cMarginal,\u201d he says.
\n\u201cIt's not local,\u201d he says.
\nThen he leaves the responsibility to society:
\n\u201cThe nation will do what is necessary.\u201d
\nSo the slipper is now collective.
\nNow everyone is an executioner.<\/p>\n
The poor body is dangerous in this country.
\nBecause the poor body shows the lie of the order.
\nThat's why:
\nThe poor body must not be seen.
\nThe poor body should not be crowded.
\nThe poor body should not speak.
\nThis is the first thing children are taught.
\n\u201cLove the ladybug.\u201d
\n\u201cRun away from the Black Fatma.\u201d
\nThis is not an insect lesson.
\nThis is obedience training.
\nThe child grows up.
\nHe uses this reflex when he becomes the boss.
\nIt uses this reflex to dominate.
\nThey use this reflex when they become voters.
\nAnd the system works like clockwork.<\/p>\n
The real question is this;<\/p>\n
Why are you so afraid of Black Fatma?
\nBecause Black Fatma reminds you of this:
\nOne day you too may be declared black.
\nOne day your body may be found incompatible.
\nOne day your neighborhood may be declared risky.
\nOne day your voice may be considered annoying.
\nNot the bug,
\ninto your own future.
\nBut the truth does not change:
\nSlippers come down.
\nThe body is crushed.
\nOrder is relaxed.
\nAnd if this order is to survive,
\nsomeone's bound to be black.
\nSomeone will always be poor.
\nSomeone will be crushed.
\nBecause this is the regime,
\nalways wants the slipper to have a target.
\nAnd that's why:
\nThis is not a bug article.
\nThis is an exposure of the regime of obedience.
\nThis is a declaration of aesthetic fascism.
\nThis is a domestic form of class warfare.
\nAnd yes, let's be clear:
\nIn defense of Black Fatma,
\nis to take sides in this country.
\nThere is no neutrality.
\nEither you hold the slipper,
\nor the oppressed.
\nThere is no other choice.<\/p>","protected":false},"excerpt":{"rendered":"
This is not an insect writing. This is a Regime Display.<\/p>","protected":false},"author":14,"featured_media":282745,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[286],"tags":[289],"class_list":["post-282744","post","type-post","status-publish","format-standard","has-post-thumbnail","category-yazarlar","tag-manset"],"_links":{"self":[{"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/posts\/282744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/comments?post=282744"}],"version-history":[{"count":2,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/posts\/282744\/revisions"}],"predecessor-version":[{"id":282747,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/posts\/282744\/revisions\/282747"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/media\/282745"}],"wp:attachment":[{"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/media?parent=282744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/categories?post=282744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/halkweb.com.tr\/en\/wp-json\/wp\/v2\/tags?post=282744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}