{"id":284963,"date":"2026-04-12T08:16:08","date_gmt":"2026-04-12T08:16:08","guid":{"rendered":"https:\/\/halkweb.com.tr\/?p=284963"},"modified":"2026-04-12T08:16:08","modified_gmt":"2026-04-12T08:16:08","slug":"kunstler-konzeptkunstler-definition-und-asik-ihsani","status":"publish","type":"post","link":"https:\/\/halkweb.com.tr\/de\/kunstler-konzeptkunstler-definition-und-asik-ihsani\/","title":{"rendered":"Begriff des K\u00fcnstlers, Definition des K\u00fcnstlers und A\u015f\u0131k \u0130hsani"},"content":{"rendered":"<p>Sanat\u00e7\u0131 kimdir? Bu soru basit g\u00f6r\u00fcn\u00fcr ama cevab\u0131 ideolojiktir. \u00c7\u00fcnk\u00fc sanat\u00e7\u0131 tan\u0131m\u0131, yaln\u0131zca estetik bir \u00e7er\u00e7eve de\u011fil; ayn\u0131 zamanda bir konum al\u0131\u015f\u0131d\u0131r. Kimi i\u00e7in sanat\u00e7\u0131, \u201cg\u00fczel olan\u0131 \u00fcreten\u201d ki\u015fidir. Kimi i\u00e7in ise sanat\u00e7\u0131, \u201cger\u00e7e\u011fi dile getiren\u201d ki\u015fidir. Bu iki tan\u0131m aras\u0131ndaki fark, asl\u0131nda sanat\u0131n ne oldu\u011funa dair k\u00f6kl\u00fc bir ayr\u0131md\u0131r.<\/p>\n<p>Modern d\u00fcnyada sanat\u00e7\u0131, b\u00fcy\u00fck \u00f6l\u00e7\u00fcde bireysel yarat\u0131c\u0131l\u0131k \u00fczerinden tan\u0131mlan\u0131r. Sanat; \u00f6zg\u00fcnl\u00fck, teknik ustal\u0131k ve estetik de\u011ferle \u00f6l\u00e7\u00fcl\u00fcr. Bu anlay\u0131\u015fta sanat\u00e7\u0131, toplumdan ba\u011f\u0131ms\u0131z bir \u00f6zne gibi kurgulan\u0131r. Kendi i\u00e7 d\u00fcnyas\u0131na d\u00f6ner, oradan \u00fcretir ve ortaya \u00e7\u0131kan \u00fcr\u00fcn \u00fczerinden de\u011ferlendirilir.<\/p>\n<p>Ama bu tan\u0131m eksiktir.<\/p>\n<p>\u00c7\u00fcnk\u00fc sanat\u00e7\u0131, hi\u00e7bir zaman toplumdan ba\u011f\u0131ms\u0131z de\u011fildir. Her sanat\u00e7\u0131, bir tarihsel ba\u011flam\u0131n, bir s\u0131n\u0131fsal konumun ve bir siyasal atmosferin i\u00e7inde \u00fcretir. Bu y\u00fczden sanat\u00e7\u0131y\u0131 yaln\u0131zca \u201c\u00fcreten birey\u201d olarak g\u00f6rmek, onun as\u0131l i\u015flevini g\u00f6r\u00fcnmez k\u0131lar.<\/p>\n<p>Die Frage ist folgende:<br \/>\nSanat\u00e7\u0131 yaln\u0131zca \u00fcretir mi, yoksa tan\u0131kl\u0131k eder mi?<\/p>\n<p>\u0130\u015fte \u00c2\u015f\u0131k \u0130hsani bu sorunun cevab\u0131n\u0131 de\u011fi\u015ftiren bir fig\u00fcrd\u00fcr.<\/p>\n<p>\u0130hsani, klasik sanat\u00e7\u0131 modeline uymaz. Ne akademik e\u011fitim alm\u0131\u015ft\u0131r ne de modern sanat \u00e7evrelerinin i\u00e7inden gelmi\u015ftir. Ama tam da bu y\u00fczden, sanat\u00e7\u0131 kavram\u0131n\u0131n s\u0131n\u0131rlar\u0131n\u0131 zorlar. \u00c7\u00fcnk\u00fc o, sanat\u0131 bir ifade bi\u00e7imi olarak de\u011fil; bir m\u00fcdahale arac\u0131 olarak kullan\u0131r.<\/p>\n<p>Onun \u015fiiri:<\/p>\n<ul>\n<li>bir estetik aray\u0131\u015f de\u011fil,<\/li>\n<li>bir ihtiya\u00e7t\u0131r.<\/li>\n<\/ul>\n<p>Onun t\u00fcrk\u00fcs\u00fc:<\/p>\n<ul>\n<li>bir duygu aktar\u0131m\u0131 de\u011fil,<\/li>\n<li>bir pozisyon al\u0131\u015f\u0131d\u0131r.<\/li>\n<\/ul>\n<p>\u0130hsani, sanat yapmaz.<br \/>\n\u0130hsani konu\u015fur.<\/p>\n<p>Ve bu konu\u015fma, bireysel de\u011fildir. Kolektiftir. Kendi ad\u0131na de\u011fil, ba\u015fkalar\u0131 ad\u0131na konu\u015fur. \u201cOnlar\u0131n \u015fairiyim, diliyim\u201d derken asl\u0131nda sanat\u00e7\u0131 tan\u0131m\u0131n\u0131 k\u00f6kten de\u011fi\u015ftirir.<\/p>\n<p>Bu noktada sanat\u00e7\u0131 kavram\u0131 ikiye ayr\u0131l\u0131r:<\/p>\n<ol>\n<li><strong><em>Kendisi i\u00e7in \u00fcreten sanat\u00e7\u0131<\/em><\/strong><\/li>\n<li><strong><em>Ba\u015fkalar\u0131 ad\u0131na konu\u015fan sanat\u00e7\u0131<\/em><\/strong><\/li>\n<\/ol>\n<p>\u0130hsani ikinci kategoridedir. Ve bu kategori, daha riskli ama daha ger\u00e7ek bir aland\u0131r.<\/p>\n<p>Bug\u00fcn sanat b\u00fcy\u00fck \u00f6l\u00e7\u00fcde g\u00fcvenli bir alana \u00e7ekilmi\u015ftir. Sanat\u00e7\u0131, \u00e7o\u011fu zaman sistemle a\u00e7\u0131k bir \u00e7at\u0131\u015fma ya\u015famadan var olmay\u0131 tercih eder. Ele\u015ftiri vard\u0131r ama \u00f6l\u00e7\u00fcl\u00fcd\u00fcr. Tepki vard\u0131r ama kontroll\u00fcd\u00fcr.<\/p>\n<p>\u0130hsani ise bu g\u00fcvenli alan\u0131n tamamen d\u0131\u015f\u0131ndad\u0131r.<\/p>\n<p>O, sanat\u0131n konforunu de\u011fil, riskini se\u00e7er.<br \/>\nS\u00f6z\u00fcn\u00fcn bedelini \u00f6der.<\/p>\n<p>Bu y\u00fczden onun sanat\u00e7\u0131 kimli\u011fi yaln\u0131zca estetik de\u011fil; etik bir meseledir.<\/p>\n<p>Sanat\u00e7\u0131 tan\u0131m\u0131 yap\u0131l\u0131rken en \u00e7ok g\u00f6zden ka\u00e7an \u015fey \u015fudur:<br \/>\nSanat\u00e7\u0131y\u0131 sanat\u00e7\u0131 yapan \u015fey yaln\u0131zca ne s\u00f6yledi\u011fi de\u011fil,<br \/>\nhangi ko\u015fullarda s\u00f6yledi\u011fidir.<\/p>\n<p>\u0130hsani\u2019nin s\u00f6z\u00fcn\u00fc g\u00fc\u00e7l\u00fc k\u0131lan da tam olarak budur.<br \/>\nO, rahat bir yerden konu\u015fmaz.<br \/>\n\u0130\u00e7inden \u00e7\u0131kt\u0131\u011f\u0131 hayat\u0131n tam ortas\u0131ndan konu\u015fur.<\/p>\n<p>Bu y\u00fczden onun dili s\u00fcsl\u00fc de\u011fildir ama etkilidir.<br \/>\n\u00c7\u00fcnk\u00fc sahicidir.<\/p>\n<p>Sanat\u00e7\u0131, yaln\u0131zca estetik \u00fcretim yapan ki\u015fi de\u011fildir.<br \/>\nSanat\u00e7\u0131, tan\u0131kl\u0131k eden, taraf olan ve gerekti\u011finde risk alan ki\u015fidir.<\/p>\n<p>Ve \u00c2\u015f\u0131k \u0130hsani, bu tan\u0131m\u0131n en sert \u00f6rneklerinden biridir.<\/p>\n<p><strong><em>Tarafs\u0131zl\u0131k Yalan\u0131: Sanat\u0131n Ka\u00e7amad\u0131\u011f\u0131 Siyaset<\/em><\/strong><\/p>\n<p>Sanat\u0131n \u201ctarafs\u0131z\u201d oldu\u011fu iddias\u0131, modern d\u00fcnyan\u0131n en konforlu yalanlar\u0131ndan biridir. Bu iddia, sanat\u00e7\u0131y\u0131 toplumdan, \u00e7at\u0131\u015fmadan ve sorumluluktan ar\u0131nd\u0131r\u0131r; onu steril bir \u00fcreticiye indirger. Oysa tarih bize \u015funu defalarca g\u00f6stermi\u015ftir:<br \/>\nSanat hi\u00e7bir zaman tarafs\u0131z olmam\u0131\u015ft\u0131r. Sadece kimin taraf\u0131nda oldu\u011fu gizlenmi\u015ftir.<\/p>\n<p>\u201cSanat sanat i\u00e7indir\u201d diyen anlay\u0131\u015f, asl\u0131nda \u00e7o\u011fu zaman mevcut d\u00fczenle uyumlu bir pozisyonun \u00f6rt\u00fcl\u00fc ifadesidir. \u00c7\u00fcnk\u00fc ger\u00e7ek hayatta tarafs\u0131zl\u0131k, \u00e7o\u011funlukla g\u00fc\u00e7l\u00fcden yana bir sessizliktir.<\/p>\n<p>\u0130\u015fte \u00c2\u015f\u0131k \u0130hsani bu sessizli\u011fi bozan fig\u00fcrlerden biridir.<\/p>\n<p>\u0130hsani\u2019nin \u015fiirine bakt\u0131\u011f\u0131n\u0131zda estetik bir denge de\u011fil, bir gerilim g\u00f6r\u00fcrs\u00fcn\u00fcz. Onun dili uzla\u015fmazd\u0131r. \u00c7\u00fcnk\u00fc uzla\u015fma zemini yoktur. A\u00e7l\u0131kla b\u00fcy\u00fcyen, e\u015fitsizlikle ya\u015fayan, devletle ve toplumla s\u00fcrekli kar\u015f\u0131 kar\u015f\u0131ya gelen bir insan\u0131n \u201ctarafs\u0131z\u201d kalmas\u0131 zaten m\u00fcmk\u00fcn de\u011fildir.<\/p>\n<p>Bu y\u00fczden \u0130hsani\u2019nin sanat\u0131 politik de\u011fildir;<br \/>\nzaten politikan\u0131n i\u00e7inden do\u011fmu\u015ftur.<\/p>\n<p>Bu ayr\u0131m \u00f6nemlidir.<\/p>\n<p>Bug\u00fcn bir\u00e7ok sanat\u00e7\u0131 politik olmaya \u201ckarar verir\u201d. \u0130hsani ise politik olmak zorunda kal\u0131r. \u00c7\u00fcnk\u00fc hayat\u0131 zaten politiktir. Onun \u015fiiri bir tercih de\u011fil; bir zorunluluktur.<\/p>\n<p>Tarafs\u0131zl\u0131k iddias\u0131, sanat\u00e7\u0131y\u0131 sorumluluktan kurtaran bir kalkand\u0131r.<br \/>\n\u0130hsani bu kalkan\u0131 reddeder.<\/p>\n<p>\u201cOnlar\u0131n \u015fairiyim, diliyim\u201d dedi\u011finde yaln\u0131zca bir estetik tav\u0131r alm\u0131yor; a\u00e7\u0131k bir taraf ilan ediyor. Bu, sanat\u00e7\u0131n\u0131n en riskli hareketidir. \u00c7\u00fcnk\u00fc taraf olmak, hedef haline gelmektir.<\/p>\n<p>Nitekim \u0130hsani\u2019nin hayat\u0131 bunun kan\u0131t\u0131d\u0131r:<\/p>\n<ul>\n<li>g\u00f6zalt\u0131na al\u0131n\u0131r,<\/li>\n<li>yarg\u0131lan\u0131r,<\/li>\n<li>kitaplar\u0131 toplat\u0131l\u0131r,<\/li>\n<li>d\u00f6v\u00fcl\u00fcr,<\/li>\n<li>susturulmak istenir.<\/li>\n<\/ul>\n<p>Ama geri \u00e7ekilmez.<\/p>\n<p>\u00c7\u00fcnk\u00fc onun i\u00e7in sanat, bir kariyer de\u011fil; bir m\u00fccadele bi\u00e7imidir.<\/p>\n<p>Bug\u00fcn sanat\u00e7\u0131lar\u0131n b\u00fcy\u00fck k\u0131sm\u0131, sistemle do\u011frudan \u00e7at\u0131\u015fmak yerine onun s\u0131n\u0131rlar\u0131 i\u00e7inde kalmay\u0131 tercih ediyor. Ele\u015ftiriler kontroll\u00fc, s\u00f6zler \u00f6l\u00e7\u00fcl\u00fc, tepkiler dengeli. Bu durum, sanat\u0131n etkisini zay\u0131flat\u0131yor ama sanat\u00e7\u0131n\u0131n konforunu koruyor.<\/p>\n<p>\u0130hsani ise tam tersidir.<\/p>\n<p>O, konforu de\u011fil \u00e7at\u0131\u015fmay\u0131 se\u00e7er.<br \/>\nG\u00f6r\u00fcn\u00fcr olmay\u0131 de\u011fil, do\u011fruyu s\u00f6ylemeyi \u00f6nceleyen bir \u00e7izgidedir.<\/p>\n<p>Bu y\u00fczden onun \u015fiiri \u201ctehlikeli\u201d bulunur.<\/p>\n<p>\u00c7\u00fcnk\u00fc ger\u00e7ek sanat, \u00e7o\u011fu zaman rahats\u0131z edicidir.<\/p>\n<p>Sanat ve siyaset ili\u015fkisi \u00e7o\u011fu zaman yanl\u0131\u015f kuruluyor. Sanki sanat \u201ckirlenmemesi gereken\u201d bir alanm\u0131\u015f gibi, siyasetle temas etti\u011finde de\u011fer kaybedecekmi\u015f gibi anlat\u0131l\u0131yor.<\/p>\n<p>Oysa mesele tam tersidir:<\/p>\n<p>Sanat, siyasetle temas etti\u011finde de\u011fil,<br \/>\nger\u00e7eklikten koptu\u011funda zay\u0131flar.<\/p>\n<p>\u0130hsani\u2019nin g\u00fcc\u00fc de buradan gelir. O, hayat\u0131n tam ortas\u0131ndad\u0131r. E\u015fitsizli\u011fi g\u00f6r\u00fcr, ya\u015far ve dile getirir. Bu y\u00fczden onun \u015fiiri bir temsil de\u011fil; bir do\u011frudanl\u0131kt\u0131r.<\/p>\n<p>Bug\u00fcn \u201ctarafs\u0131z sanat\u00e7\u0131\u201d diye sunulan bir\u00e7ok fig\u00fcr asl\u0131nda \u015fu pozisyondad\u0131r:<br \/>\nHi\u00e7bir \u015fey s\u00f6ylemeyerek her \u015feyi kabul etmek.<\/p>\n<p>\u0130hsani bu \u00e7izginin tam kar\u015f\u0131s\u0131nda durur.<\/p>\n<p>O, susmaz.<br \/>\n\u00c7\u00fcnk\u00fc susman\u0131n da bir taraf oldu\u011funu bilir.<\/p>\n<p>Sanat\u00e7\u0131 tarafs\u0131z de\u011fildir.<br \/>\nTarafs\u0131zl\u0131k, \u00e7o\u011fu zaman g\u00fc\u00e7l\u00fcden yana al\u0131nm\u0131\u015f gizli bir pozisyondur.<\/p>\n<p>Ger\u00e7ek sanat\u00e7\u0131, taraf\u0131n\u0131 gizleyen de\u011fil;<br \/>\ntaraf\u0131n\u0131 a\u00e7\u0131k\u00e7a ortaya koyan ki\u015fidir.<\/p>\n<p>Ve \u00c2\u015f\u0131k \u0130hsani, bu anlamda yaln\u0131zca bir sanat\u00e7\u0131 de\u011fil;<br \/>\ntarafs\u0131zl\u0131k yalan\u0131n\u0131n en sert reddidir.<\/p>\n<p><strong><em>Bedel, Cesaret ve Bug\u00fcn\u00fcn Steril Sanat\u00e7\u0131s\u0131<\/em><\/strong><\/p>\n<p>Sanat\u00e7\u0131 tan\u0131m\u0131n\u0131 ger\u00e7ekten belirleyen \u015fey ne estetik ustal\u0131kt\u0131r ne de \u00fcretim hacmi. As\u0131l belirleyici olan \u015fey <strong>bedeldir<\/strong>. Bir sanat\u00e7\u0131n\u0131n ne s\u00f6yledi\u011finden \u00e7ok, s\u00f6yledi\u011fi \u015fey i\u00e7in neyi g\u00f6ze ald\u0131\u011f\u0131d\u0131r mesele.<\/p>\n<p>\u00c7\u00fcnk\u00fc sanat, risk alm\u0131yorsa;<br \/>\nyaln\u0131zca \u00fcretimdir.<\/p>\n<p>\u0130hsani\u2019yi \u201cb\u00fcy\u00fck\u201d yapan \u015fey de tam olarak budur:<br \/>\nO, s\u00f6z\u00fcn\u00fcn bedelini \u00f6demi\u015ftir.<\/p>\n<p>Bug\u00fcn sanat\u00e7\u0131 kavram\u0131 b\u00fcy\u00fck \u00f6l\u00e7\u00fcde sterilize edilmi\u015ftir. Sanat\u00e7\u0131; g\u00f6r\u00fcn\u00fcr, konu\u015fan ama risk almayan bir fig\u00fcre d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr. Tepki verir ama s\u0131n\u0131r\u0131n\u0131 bilir. Ele\u015ftirir ama sistemle ba\u011f\u0131n\u0131 koparmaz. Rahats\u0131z eder ama asla tehdit olu\u015fturmaz.<\/p>\n<p>Bu, modern sanat\u00e7\u0131n\u0131n konfor alan\u0131d\u0131r.<\/p>\n<p>\u0130hsani ise bu konforun tam kar\u015f\u0131s\u0131ndad\u0131r.<\/p>\n<p>O, yaln\u0131zca konu\u015fmaz; sonu\u00e7lar\u0131na katlan\u0131r.<br \/>\nSadece ele\u015ftirmez; hedef olur.<\/p>\n<p>Yarg\u0131lan\u0131r, hapse at\u0131l\u0131r, d\u00f6v\u00fcl\u00fcr. Sa\u00e7\u0131 kesilir, itibars\u0131zla\u015ft\u0131r\u0131l\u0131r. Ama geri \u00e7ekilmez. \u00c7\u00fcnk\u00fc onun i\u00e7in sanat, bir kariyer plan\u0131 de\u011fil; bir varolu\u015f bi\u00e7imidir.<\/p>\n<p>Burada kritik ayr\u0131m \u015fudur:<\/p>\n<ul>\n<li>Bug\u00fcn\u00fcn sanat\u00e7\u0131s\u0131 \u00e7o\u011fu zaman <strong>ifade eder<\/strong><\/li>\n<li>\u0130hsani gibi sanat\u00e7\u0131lar ise <strong>angaje olur<\/strong><\/li>\n<\/ul>\n<p>\u0130fade etmek, g\u00fcvenli bir aland\u0131r.<br \/>\nAngaje olmak ise risklidir.<\/p>\n<p>\u0130hsani, sanat\u0131n\u0131 g\u00fcvenli mesafeden kurmaz. \u0130\u00e7inde bulundu\u011fu ger\u00e7ekli\u011fin tam ortas\u0131nda konu\u015fur. Bu y\u00fczden onun \u015fiiri yaln\u0131zca bir \u201ceser\u201d de\u011fil; bir <strong>m\u00fcdahaledir<\/strong>.<\/p>\n<p>Ve m\u00fcdahale eden her \u015fey gibi, tepki \u00e7eker.<\/p>\n<p>Bug\u00fcn sanat\u00e7\u0131lar neden bu d\u00fczeyde bir etki yaratam\u0131yor?<\/p>\n<p>\u00c7\u00fcnk\u00fc sistem de\u011fi\u015fti.<\/p>\n<p>Eskiden sistem, itiraz eden sesi bast\u0131r\u0131rd\u0131.<br \/>\nBug\u00fcn ise onu so\u011furuyor.<\/p>\n<p>Seni susturmak yerine g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor,<br \/>\nama etkisizle\u015ftirerek.<\/p>\n<p>Bug\u00fcn bir\u00e7ok sanat\u00e7\u0131 konu\u015fabiliyor.<br \/>\nAma \u00e7ok az\u0131 ger\u00e7ekten bir \u015fey de\u011fi\u015ftirebiliyor.<\/p>\n<p>\u00c7\u00fcnk\u00fc s\u00f6z var, risk yok.<br \/>\nG\u00f6r\u00fcn\u00fcrl\u00fck var, bedel yok.<\/p>\n<p>\u0130hsani\u2019nin fark\u0131 burada ortaya \u00e7\u0131k\u0131yor.<\/p>\n<p>Sanat\u00e7\u0131n\u0131n cesareti, yaln\u0131zca s\u00f6ylediklerinde de\u011fil;<br \/>\ns\u00f6yledi\u011fi \u015feyin sonu\u00e7lar\u0131n\u0131 kabul etmesindedir.<\/p>\n<p>\u0130hsani bunu yapt\u0131.<\/p>\n<p>Bu y\u00fczden onun \u015fiiri bug\u00fcn h\u00e2l\u00e2 konu\u015fuluyor. \u00c7\u00fcnk\u00fc o \u015fiirler yaln\u0131zca yaz\u0131lmad\u0131; ya\u015fand\u0131.<\/p>\n<p>Bug\u00fcn ise sanat b\u00fcy\u00fck \u00f6l\u00e7\u00fcde temsil \u00fczerinden ilerliyor. \u0130nsanlar yoksullu\u011fu anlat\u0131yor ama ya\u015fam\u0131yor. E\u015fitsizli\u011fi ele\u015ftiriyor ama o e\u015fitsizli\u011fin d\u0131\u015f\u0131ndan konu\u015fuyor. Bu durum, sanat\u0131n etkisini zay\u0131flat\u0131yor.<\/p>\n<p>\u00c7\u00fcnk\u00fc sahicilik kayboluyor.<\/p>\n<p>\u0130hsani\u2019nin temsil etti\u011fi sanat\u00e7\u0131 modeli rahats\u0131z edicidir. \u00c7\u00fcnk\u00fc bu model, bug\u00fcnk\u00fc sanat\u00e7\u0131 profilini sorgular:<\/p>\n<ul>\n<li>Ne kadar risk al\u0131yorsun?<\/li>\n<li>Ne kadar bedel \u00f6d\u00fcyorsun?<\/li>\n<li>S\u00f6yledi\u011fin \u015fey, hayat\u0131nla \u00f6rt\u00fc\u015f\u00fcyor mu?<\/li>\n<\/ul>\n<p>Bu sorular\u0131n cevab\u0131 \u00e7o\u011fu zaman zay\u0131ft\u0131r.<\/p>\n<p>Bu y\u00fczden \u0130hsani yaln\u0131zca ge\u00e7mi\u015fe ait bir fig\u00fcr de\u011fil;<br \/>\nbug\u00fcne y\u00f6neltilmi\u015f bir ele\u015ftiridir.<\/p>\n<p>Sanat\u00e7\u0131, yaln\u0131zca \u00fcreten ki\u015fi de\u011fildir.<br \/>\nSanat\u00e7\u0131, s\u00f6z\u00fcn\u00fcn arkas\u0131nda durabilen ki\u015fidir.<\/p>\n<p>Sanat, yaln\u0131zca estetik de\u011fildir.<br \/>\nSanat, ayn\u0131 zamanda cesarettir.<\/p>\n<p>Ve cesaret olmadan \u00fcretilen hi\u00e7bir \u015fey,<br \/>\nger\u00e7ek anlamda sanat de\u011fildir.<\/p>\n<p>\u00c2\u015f\u0131k \u0130hsani bu y\u00fczden \u00f6nemlidir.<\/p>\n<p>\u00c7\u00fcnk\u00fc o, sanat\u00e7\u0131 kavram\u0131n\u0131 konfor alan\u0131ndan \u00e7\u0131kar\u0131p,<br \/>\nbedel \u00f6denen bir alana ta\u015f\u0131r.<\/p>\n<p>O, sanat\u0131n yaln\u0131zca \u201cg\u00fczel\u201d de\u011fil,<br \/>\nayn\u0131 zamanda \u201ctehlikeli\u201d olabilece\u011fini g\u00f6sterir.<\/p>\n<p>Und vielleicht das Wichtigste:<\/p>\n<p>Bize \u015funu hat\u0131rlat\u0131r\u2014<\/p>\n<p>Sanat,<br \/>\ns\u00f6ylenmesi kolay olan\u0131 de\u011fil,<br \/>\ns\u00f6ylenmesi zor olan\u0131 s\u00f6yleyebildi\u011fi \u00f6l\u00e7\u00fcde vard\u0131r.<\/p>","protected":false},"excerpt":{"rendered":"<p>Der K\u00fcnstler: \u00c4sthetischer Produzent oder sozialer Zeuge?<\/p>","protected":false},"author":14,"featured_media":284965,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[286],"tags":[289],"class_list":{"0":"post-284963","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-yazarlar","8":"tag-manset"},"_links":{"self":[{"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/posts\/284963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/comments?post=284963"}],"version-history":[{"count":2,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/posts\/284963\/revisions"}],"predecessor-version":[{"id":284966,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/posts\/284963\/revisions\/284966"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/media\/284965"}],"wp:attachment":[{"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/media?parent=284963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/categories?post=284963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/tags?post=284963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}