{"id":276064,"date":"2023-09-18T09:59:57","date_gmt":"2023-09-18T06:59:57","guid":{"rendered":"https:\/\/halkweb.com.tr\/?p=276064"},"modified":"2023-09-18T09:59:57","modified_gmt":"2023-09-18T06:59:57","slug":"die-wahre-geschichte-der-serie-dilek-tasinin-die-ein-kandidat-fur-den-quotenrekord-von-kanal-d-ist","status":"publish","type":"post","link":"https:\/\/halkweb.com.tr\/de\/die-wahre-geschichte-der-serie-dilek-tasinin-die-ein-kandidat-fur-den-quotenrekord-von-kanal-d-ist\/","title":{"rendered":"Die wahre Geschichte der Kanal D-Serie Dilek Ta\u015f\u0131, die ein Kandidat f\u00fcr einen Quotenrekord ist!"},"content":{"rendered":"

“Dilek Ta\u015f\u0131 Kanal D’nin bu sezon fla\u015f dizisi. Bir 12 Eyl\u00fcl hik\u00e2yesi. Az say\u0131da ‘siyasi i\u00e7erikli’ dizi yap\u0131l\u0131r ekranda.<\/p>\n

Ahmet Hakan sagt: \u2018Die Dominanz der Linken in den Medien ist vorbei\u2019 und nimmt Y\u0131lmaz G\u00fcney ins Visier<\/a><\/strong><\/p>\n

\u00d6zel bir durumu var bu dizi hik\u00e2yesinin. Senaryoyu yazan Can Sinan’\u0131n babas\u0131 68 ku\u015fa\u011f\u0131n\u0131n k\u00f6\u015fe ba\u015flar\u0131n\u0131 ya\u015fam\u0131\u015f, bir devrimci. An\u0131lar\u0131n\u0131 ‘Ya\u015fad\u0131m Diyebilmek’ kitab\u0131nda toplad\u0131. Ve bir \u00f6nemli ayr\u0131nt\u0131, Can Sinan’a sordum; Aras Rona (Teoman Kumbarac\u0131ba\u015f\u0131) reklamc\u0131 ve \u015eahin Tekg\u00fcnd\u00fcz \u00fclkenin \u00f6nemli reklamc\u0131lar\u0131ndan da biri. Hani reklama dair ilk ad\u0131mlar\u0131 atan ku\u015faktan.<\/p>\n

Die Erkl\u00e4rung von Ilyas Salman Y\u0131lmaz G\u00fcney, \u00fcber die noch viel gesprochen werden wird: Lasst uns anders sein als die Rechten, die Haluk K\u0131rc\u0131 loben<\/a><\/strong><\/p>\n

“Dizideki reklam \u015firketi babam\u0131n”<\/strong><\/p>\n

\u00c7ocukluk ve gen\u00e7lik y\u0131llar\u0131 reklamc\u0131larla ge\u00e7mi\u015f Can Sinan’\u0131n. Ankara’da Maya Matbaas\u0131, \u0130stanbul’da Ada Ajans, Merkez Ajans ve Par Ajans. ‘Dizideki ajans\u0131m\u0131z\u0131n ad\u0131 da babam\u0131n kurucusu oldu\u011fu Par Ajans. Aras Rona karakterinin reklamc\u0131 olu\u015fu bir tesad\u00fcf de\u011fil. Babam\u0131n yazd\u0131\u011f\u0131 ‘Ya\u015fad\u0131m Diyebilmek’ kitab\u0131n\u0131n diziyi yazarken b\u00fcy\u00fck etkisi oldu’ diyor.<\/p>\n

Fatih Altayl\u0131 und Nagehan Al\u00e7\u0131 haben sich an der Debatte \u00fcber Y\u0131lmaz G\u00fcney beteiligt: Der Grund f\u00fcr die Angriffskampagne ist, dass er kurdisch ist<\/a><\/strong><\/p>\n

“Y\u0131lmaz G\u00fcney benzer bir hapishanede kalm\u0131\u015f”<\/strong><\/p>\n

Y\u0131lmaz G\u00fcney ayr\u0131nt\u0131s\u0131 epey konu\u015fuldu ilk b\u00f6l\u00fcm. ‘Bizim hayal \u00fcr\u00fcn\u00fc olarak kurdu\u011fumuz cezaevine \u00e7ok benzer bir yerde mahkummu\u015f. Yine o d\u00f6nemde ya\u015fayan insanlar\u0131n anlatt\u0131klar\u0131na ve yaz\u0131lanlara g\u00f6re, tutuklularla da yak\u0131ndan ilgilenirmi\u015f. O y\u00fczden, Mustafa k\u0131z\u0131na kavu\u015fmak i\u00e7in u\u011fra\u015f\u0131rken ona yard\u0131mc\u0131 olmas\u0131 i\u00e7in, Y\u0131lmaz karakterini kulland\u0131k.’<\/p>\n

Figen’in anlatt\u0131klar\u0131 ger\u00e7ek mi?<\/strong><\/p>\n

Hik\u00e2yeyi bize Figen (#HazalSuba\u015f\u0131) anlat\u0131yor. ‘Anlat\u0131lanlar ger\u00e7ekte ya\u015fand\u0131 m\u0131?’ diye sordum. ‘Figen’in ya\u015fad\u0131klar\u0131nda ger\u00e7eklik pay\u0131 var. Ama daha \u00e7ok kurgusal demeliyim’ diyor Sinan.<\/p>\n

Das Gehalt von Ahmet \u00c7akar bei Beyaz TV wurde enth\u00fcllt<\/a><\/strong><\/p>\n

“Bademci \u00e7ok ara\u015ft\u0131rd\u0131”<\/strong><\/p>\n

Salih Bademci farkl\u0131 rollerin ruhunu veren \u00f6zel oyunculardan biri. Can Sinan \u015f\u00f6yle anlat\u0131yor; ‘Haz\u0131rlan\u0131rken mutlaka kendine has, kendine \u00f6zg\u00fc metotlar\u0131 vard\u0131r.<\/p>\n

Bol bol ara\u015ft\u0131rma yapt\u0131\u011f\u0131n\u0131 da biliyorum. Biz de Mustafa karakterini analiz etmek i\u00e7in, defalarca konu\u015ftuk. Ama temelde s\u00f6yleyebilece\u011fim, o kadar yetenekli bir akt\u00f6r ki, her rol\u00fcn alt\u0131ndan rahatl\u0131kla kalkabilir. Ben de kendisiyle \u00e7al\u0131\u015ft\u0131\u011f\u0131m i\u00e7in \u00e7ok mutluyum.”<\/p>\n

\"Dilek<\/p>\n

D\u0130LEK TA\u015eI OYUNCULARI<\/strong><\/p>\n

Salih Bademci, Hazal Suba\u015f\u0131 ve Ozan Dolunay\u2019\u0131n ba\u015frollerinde yer ald\u0131\u011f\u0131 dizinin oyuncu kadrosunda ise Elif Do\u011fan, Perihan Sava\u015f, \u00d6zge \u00d6zberk, Teoman Kumbarac\u0131ba\u015f\u0131, \u00c7i\u00e7ek Dilligil, Engin Y\u00fcksel, Afra Karag\u00f6z, Lena Naz Kalayc\u0131 ve \u00d6mer Toprak Y\u0131lmaz gibi birbirinden ba\u015far\u0131l\u0131 isimler rol al\u0131yor.<\/p>\n

\"Dilek<\/p>\n

D\u0130LEK TA\u015eI D\u0130Z\u0130S\u0130N\u0130N KONUSU<\/strong><\/p>\n

Dilek Ta\u015f\u0131, 1980\u2019li y\u0131llar\u0131n \u0130stanbul\u2019unda ge\u00e7en bir dram hikayesini konu al\u0131yor. 1987 y\u0131l\u0131nda ba\u015flayan hikayede yer alan Aras Rona ve R\u00fc\u00e7han Rona, olduk\u00e7a varl\u0131kl\u0131 bir ailenin \u00fcyeleridir. Figen Kutlu, ailesiyle birlikte Rona ailesinin malikanesinde ya\u015famaktad\u0131r. \u0130dam cezas\u0131yla yarg\u0131lanan Mustafa’n\u0131n e\u015fi \u00f6ld\u00fc\u011f\u00fc i\u00e7in \u00c7ocuk Esirgeme Kurumu’na verilen k\u0131z\u0131 Cemre’yi Rona ailesi evlatl\u0131k olarak kabul etmek zorunda kal\u0131r.<\/p>","protected":false},"excerpt":{"rendered":"

“Dilek Ta\u015f\u0131 Kanal D’nin bu sezon fla\u015f dizisi. Bir 12 Eyl\u00fcl hik\u00e2yesi. Az say\u0131da ‘siyasi i\u00e7erikli’ dizi yap\u0131l\u0131r ekranda. Ahmet Hakan \u2018medyada solun egemenli\u011fi bitti\u2019 dedi, Y\u0131lmaz G\u00fcney\u2019i hedef ald\u0131 \u00d6zel bir durumu var bu dizi hik\u00e2yesinin. Senaryoyu yazan Can Sinan’\u0131n babas\u0131 68 ku\u015fa\u011f\u0131n\u0131n k\u00f6\u015fe ba\u015flar\u0131n\u0131 ya\u015fam\u0131\u015f, bir devrimci. An\u0131lar\u0131n\u0131 ‘Ya\u015fad\u0131m Diyebilmek’ kitab\u0131nda toplad\u0131. Ve […]<\/p>\n","protected":false},"author":3,"featured_media":277909,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-276064","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-bilgi-eglence"},"_links":{"self":[{"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/posts\/276064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/comments?post=276064"}],"version-history":[{"count":0,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/posts\/276064\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/media\/277909"}],"wp:attachment":[{"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/media?parent=276064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/categories?post=276064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/halkweb.com.tr\/de\/wp-json\/wp\/v2\/tags?post=276064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}